reading (Asimov's Dec)
Oct. 8th, 2006 08:28 amI took my time reading this month's Asimov's, a whole four days. Being the December issue I expected some holiday themed stories, but the only one was one that took place during solstice celebrations. I must admit I was hoping for a bit of Christmas cheer from James Patrick Kelly or Connie Willis.
For me this was a weaker issue than average. I felt cheated by the ending of "Lord Weary's Empire." There are rules. When the early Zelazny work wandered off into meta myth story the lines were already drawn and you knew why the ordinary didn't apply to the characters. If you want to overcome the "it was all just a dream" cliche, you'd better have damn good material and a damn good excuse for the reader. "Yellow Card Man" was dark and solid. "The Dying Fall" was semi-dark and poetic. I'm still cocking my head like a confused dog trying to figure out why "Safe!" was worth reading. "The Golden Record" has some good twists, but didn't have the quality to make an outstanding story.
I now appreciate the timing of the former Asimov's editors. If you publish to a primarily North American audience, the December issues should always be strong and light. The days grow darker one by one, all on their own. If you want to keep your readership, give them a candle or bright neon, don't mimic the season with dark tunnels and vast emptiness.
41. "Asimov's December 2006"
For me this was a weaker issue than average. I felt cheated by the ending of "Lord Weary's Empire." There are rules. When the early Zelazny work wandered off into meta myth story the lines were already drawn and you knew why the ordinary didn't apply to the characters. If you want to overcome the "it was all just a dream" cliche, you'd better have damn good material and a damn good excuse for the reader. "Yellow Card Man" was dark and solid. "The Dying Fall" was semi-dark and poetic. I'm still cocking my head like a confused dog trying to figure out why "Safe!" was worth reading. "The Golden Record" has some good twists, but didn't have the quality to make an outstanding story.
I now appreciate the timing of the former Asimov's editors. If you publish to a primarily North American audience, the December issues should always be strong and light. The days grow darker one by one, all on their own. If you want to keep your readership, give them a candle or bright neon, don't mimic the season with dark tunnels and vast emptiness.
41. "Asimov's December 2006"